Search results
Results From The WOW.Com Content Network
I Shall Not Be Moved" (Roud 9134), also known as "We Shall Not Be Moved", is an African-American slave spiritual, hymn, and protest song dating to the early 19th century American south. [1] It was likely originally sung at revivalist camp-meetings as a slave jubilee .
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
What most African Americans would identify today as "gospel" began in the early 20th century. The gospel music that Thomas A. Dorsey, Sallie Martin, Willie Mae Ford Smith and other pioneers popularized had its roots in the blues as well as in the more freewheeling forms of religious devotion of "Sanctified" or "Holiness" churches—sometimes called "holy rollers" by other denominations — who ...
This Far By Faith: an African American resource for worship (1999) [268] Lutheran Service Book, Concordia Publishing House (2006) [316] [317] Lutheran Congregations in Mission for Christ. ReClaim Hymnal, Sola Publishing (2006) North American Lutheran Church. ReClaim Hymnal, Sola Publishing (2006) Protes'tant Conference. A New Song, John Springer
An early version of "The Welcome Table" song in Hampton and Its Students (1874) indicating it was sung by a child who was separated from his mother in slavery. The Welcome Table (also known as the I'm Gonna Sit at the Welcome Table, or River of Jordan, or I'm A-Gonna Climb Up Jacob's Ladder or God's Going to Set This World on Fire) [1] is a traditional American gospel and African American folk ...
This generated two distinctive African American slave musical forms, the spiritual (sung music usually telling a story) and the field holler (sung or chanted music usually involving repetition of the leader's line). [1] We Are Climbing Jacob's Ladder is a spiritual. [1] As a folk song originating in a repressed culture, the song's origins are lost.
[2] [3] [4] In 1940, it was included in the Episcopal Church hymnal, making it the first spiritual to be included in any major American hymnal. [ 5 ] [ 6 ] It is also unique in that it is the only African-American song included in the Catholic Church 's Liturgy of the Hours .
A newspaper article about a 1949 concert says that Settle adopted the phrase from the lyrics of a song sung by his mother. [59] Another theory suggests that Settle thought the phrase "had a nice ring to it" when CBS used it for the two prime-time programs. [58] Whatever its origin, the name served Settle and the choir for the next 30 years. [60]