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I Shall Not Be Moved" (Roud 9134), also known as "We Shall Not Be Moved", is an African-American slave spiritual, hymn, and protest song dating to the early 19th century American south. [1] It was likely originally sung at revivalist camp-meetings as a slave jubilee .
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Pages in category "African-American spiritual songs" The following 53 pages are in this category, out of 53 total. ... Mary's Boy Child; Michael, Row the Boat Ashore; N.
Eastern Orthodox icon of the Praises of the Theotokos, before which the Akathist hymn to Mary may be chanted. Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. [citation ...
This Far By Faith: an African American resource for worship (1999) [268] Lutheran Service Book, Concordia Publishing House (2006) [316] [317] Lutheran Congregations in Mission for Christ. ReClaim Hymnal, Sola Publishing (2006) North American Lutheran Church. ReClaim Hymnal, Sola Publishing (2006) Protes'tant Conference. A New Song, John Springer
Immaculate Mary" or "Immaculate Mother" (French: Ô Vierge Marie) is a popular Roman Catholic Marian hymn. It is also known as the Lourdes Hymn , a term which also refers to the hymn tune itself. It is often sung in honour of the Immaculate Conception of the Blessed Virgin Mary .
Protestant hymns and African-American spirituals make up the basic source material for traditional black gospel music, which in turn is the most significant source of urban/contemporary gospel. Urban/contemporary gospel has kept the spiritual focus of the traditional black gospel music, but uses modern musical forms.
A newspaper article about a 1949 concert says that Settle adopted the phrase from the lyrics of a song sung by his mother. [59] Another theory suggests that Settle thought the phrase "had a nice ring to it" when CBS used it for the two prime-time programs. [58] Whatever its origin, the name served Settle and the choir for the next 30 years. [60]