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  2. G run - Wikipedia

    en.wikipedia.org/wiki/G_run

    In bluegrass and other music, the G run (G-run), or Flatt run [1] (presumably after Lester Flatt), is a stereotypical ending used as a basis for improvisation on the guitar. It is the most popular run in bluegrass, the second being "Shave and a Haircut". [1] The best known version, above, is a slight elaboration of the simplest form, below.

  3. Scruggs style - Wikipedia

    en.wikipedia.org/wiki/Scruggs_style

    Scruggs style is the most common style of playing the banjo in bluegrass music. It is a fingerpicking method, also known as three-finger style . It is named after Earl Scruggs , whose innovative approach and technical mastery of the instrument have influenced generations of bluegrass banjoists ever since he was first recorded in 1946.

  4. Mark Johnson (musician) - Wikipedia

    en.wikipedia.org/wiki/Mark_Johnson_(musician)

    Mark Johnson (born May 20, 1955) is an American banjoist credited with creating a style of five string banjo playing called Clawgrass, which incorporates bluegrass and clawhammer banjo styles as well as bluegrass guitar styles and bluegrass ensemble techniques. [1]

  5. Banjo roll - Wikipedia

    en.wikipedia.org/wiki/Banjo_roll

    Forward roll on G major chord in both standard notation and banjo tablature, accompaniment pattern characteristic of Scruggs style [1] Play ⓘ.. In bluegrass music, a banjo roll or roll is a pattern played by the banjo that uses a repeating eighth-note arpeggio – a broken chord – that by subdividing the beat 'keeps time'.

  6. Traditional bluegrass - Wikipedia

    en.wikipedia.org/wiki/Traditional_bluegrass

    Traditional bluegrass, as the name implies, emphasizes the traditional elements of bluegrass music, and stands in contrast to progressive bluegrass.Traditional bluegrass musicians play folk songs, tunes with simple traditional chord progressions, and on acoustic instruments of a type that were played by bluegrass pioneer Bill Monroe and his Blue Grass Boys band in the late 1940s.

  7. Bill Evans (bluegrass) - Wikipedia

    en.wikipedia.org/wiki/Bill_Evans_(bluegrass)

    Evans was a member of the bluegrass ensemble Bluegrass Intentions with Suzy Thompson (fiddle, Cajun accordion, vocals), Eric Thompson (mandolin, guitar, vocals), Larry Cohea (bass, vocals), and Alan Senauke (guitar, vocals). They released one album Old as Dirt on Evans's Native and Fine record label in 2002. [6] [7]

  8. David Grier - Wikipedia

    en.wikipedia.org/wiki/David_Grier

    The Bluegrass Situation has noted Grier's "phenomenal cross-picking guitar techniques, which put him among the greatest bluegrass players of the last several decades." [ 5 ] He has the rare distinction of appearing as a guitarist on bluegrass albums which have been nominated for Grammy Awards in three different decades.

  9. George Shuffler - Wikipedia

    en.wikipedia.org/wiki/George_Shuffler

    George Shuffler (April 11, 1925 – April 7, 2014) was an American bluegrass guitar player and an early practitioner of the crosspicking style. During his career Shuffler played with The Bailey Brothers, The Stanley Brothers and Ralph Stanley's Clinch Mountain Boys.