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The Arts of Islam, Arts Council of Great Britain, 1976, ISBN 0-7287-0081-6; Mason, Robert B. (1995). "New Looks at Old Pots: Results of Recent Multidisciplinary Studies of Glazed Ceramics from the Islamic World". Muqarnas: Annual on Islamic Art and Architecture. XII. Brill Academic Publishers. ISBN 90-04-10314-7.
The production of glazed ceramics did not stop abruptly with the arrival of Islam, but on the contrary continued for some time. Thus, we know of jars and amphorae probably produced after the conquest, but which retain the old models. From a decorative point of view, these pieces are covered with a monochrome glaze, most often yellow or green.
Bowl with couple in a garden, around 1200. In this type of scene, the figures are larger than in other common subjects. Diameter 18.8 cm. [1] Side view of the same bowl Mina'i ware is a type of Persian pottery, or Islamic pottery, developed in Kashan in the decades leading up to the Mongol invasion of Persia and Mesopotamia in 1219, after which production ceased. [2]
Lustreware or lusterware (the respective spellings for British English and American English) is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence. It is produced by metallic oxides in an overglaze finish, which is given a second firing at a lower temperature in a " muffle kiln ", or a reduction kiln ...
A 1930s archeological survey of villages in the vicinity of Sultanabad, Iran uncovered that the region was a major center of Ilkhanid ceramic industry.Ilkhanid ceramics distinguished by their heavy potting, along with thick translucent glaze were henceforth called Sultanabad ware. [3]
Mason, Robert B. (1995). "New Looks at Old Pots: Results of Recent Multidisciplinary Studies of Glazed Ceramics from the Islamic World". Muqarnas: Annual on Islamic Art and Architecture. XII. Brill Academic Publishers. ISBN 90-04-10314-7. Rawson, Jessica, Chinese Ornament: The lotus and the dragon, 1984, British Museum Publications, ISBN 0-7141 ...
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Mosaic tiling from the Qal'at Bani Hammad (present-day Algeria), 11th century. Zellij fragments from al-Mansuriyya (Sabra) in Tunisia, possibly dating from either the mid-10th century Fatimid foundation or from the mid-11th Zirid occupation, suggest that the technique may have developed in the western Islamic world around this period. [5]