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"Night Time Is the Right Time" or "The Right Time" is a rhythm and blues song recorded by American musician Nappy Brown in 1957. It draws on earlier blues songs and has inspired popular versions, including those by Ray Charles, Rufus and Carla, and James Brown, which reached the record charts.
In October 1958, Charles recorded his first song with the Raelettes called, "Night Time Is the Right Time", which reached No. 5 on the R&B charts.The song is widely known for Hendrix's powerful vocals. [3]
The innovation of Ray Charles is presented on this compilation LP. The Blues finds Charles delivering wailing and emotional numbers ("Hard Times", " Night Time Is the Right Time ") to uptempo arrangements of country blues (" I'm Movin' On ", "Early in the Mornin'").
In 1963, Charles had another daughter, Sheila Ray Charles, by Sandra Jean Betts. Sheila Raye, like her father, was a singer-songwriter; she died of breast cancer on June 15, 2017. [ 97 ] In 1977, Charles had a child with his Parisian lover, Arlette Kotchounian, whom he had met ten years earlier. [ 98 ]
1963: The Ray Charles Story, Volume Three (Atlantic) 1964: The Ray Charles Story, Volume Four (Atlantic) 1967: A Man And His Soul (ABC) 1970: The Best of Ray Charles (Atlantic) (BPI: Silver) [11] 1971: A 25th Anniversary in Show Business Salute to Ray Charles (ABC) 1973: Ray Charles Live (Atlantic) 1978: The Tender Side of Ray Charles (Suffolk ...
The Raelettes were an integral part of Charles' organization and provided backing vocals on various hits, such as "Night Time Is the Right Time" (1958), "What'd I Say" (1959) and "Hit the Road Jack" (1961). [2] In the early years, Margie Hendrix was the Raelette's foremost member.
Ray Charles (born Charles Raymond Offenberg; September 13, 1918 – April 6, 2015) was an American musician, singer, songwriter, vocal arranger and conductor who was best known as organizer and leader of the Ray Charles Singers, who accompanied Perry Como on his records and television shows for 35 years [1] [2] and were also known for a series of 30 choral record albums produced in the 1950s ...
The album showcased Charles' breakout from rhythm and blues and onto a broader musical stage. Atlantic Records gave him full support in production and arrangements. As originally presented, the A side of the album featured the Ray Charles band with David "Fathead" Newman supplemented by players from the Count Basie and Duke Ellington bands, and arrangements by Quincy Jones.