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Moreover, it seems that Liszt took steps to obscure the origin of the piece, and that this included the destruction of the original overture's title page, and the re-ascription of the piece to Lamartine's poem. Lamartine's ode does indeed contain several similarities with some sections in Autran's poems: an amorous elegy, a sea storm, a bucolic ...
The source of the title Consolations may have been Lamartine's poem "Une larme, ou Consolation" from the poetry collection Harmonies poétiques et religieuses (Poetic and Religious Harmonies). [3] Liszt's piano cycle Harmonies poétiques et religieuses is based on Lamartine's collection of poems. [10]
Lamartine made his entrance into the field of poetry with a masterpiece, Les Méditations Poétiques (1820) and awoke to find himself famous. [5] One of the notable poems in this collection was his partly autobiographical poem Le Lac ("The Lake"), which he dedicated to Julie Charles, the wife of a celebrated physician. [ 6 ]
Based on the author's experiences with a tobacco-leaf folder while in Naples in the early 1810s, Graziella was first written as a journal and intended to serve as commentary for Lamartine's poem "Le Premier Regret". First serialised as part of Les Confidences beginning in 1849, Graziella received popular acclaim. An operatic adaptation had been ...
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Le Lac (English: The Lake) is a poem by French poet Alphonse de Lamartine.The poem was published in 1820. [citation needed]The poem consists of sixteen quatrains.It was met with great acclaim and propelled its author to the forefront of famous romantic poets.
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Harmonies poétiques et religieuses (Poetic and Religious Harmonies), S.173, is a cycle of piano pieces written by Franz Liszt at WoroniĆce (Voronivtsi, the Polish-Ukrainian country estate of Liszt's mistress Princess Carolyne von Sayn-Wittgenstein) in 1847, and published in 1853.