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The songs descend from the musical traditions of the Burmese royal court, and form the basis of Burmese classical music today. [ 1 ] [ 2 ] Mahāgīta songs continue to be played during Buddhist rituals, weddings, and public festivals, and performers frequently appear on state-run television shows.
The collection is divided into several different types of songs including the following: kyo, bwe, thachin gan, the oldest repertoires; pat pyo, royal court music; lwan chin, songs of longing; lay dway than gat; myin gin, music that makes horses dance; nat chin, songs used to worship the nat, Burmese spirits; yodaya, music introduced from ...
Hsaing waing ensemble is seen behind the singers. The hsaing waing (Burmese: ဆိုင်းဝိုင်း, pronounced [sʰáiɰ̃ wáiɰ̃]; also spelt saing waing), commonly dubbed the Burmese traditional orchestra (မြန်မာ့ဆိုင်း), is a traditional Burmese folk musical ensemble that accompanies numerous forms of rituals, performances, and ceremonies in modern ...
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Melody World (Burmese: သံစဉ်များနဲ့ကမ္ဘာ) is a televised singing competition broadcast in Myanmar by Myawaddy TV. [1] Several prominent Burmese singers, including Chan Chan, Irene Zin Mar Myint, and Ni Ni Khin Zaw, made their musical debuts on Melody World. [2] The show is hosted by Myint Moe Aung. [3]
K.C. Runremsangi has been called the "Queen Of Mizo Folk Song". Her awards include the Padma Shri in 2023. [9] SaiWanah - his song Ka Pa Khuma won "Song of the Year 2023" from Thazual and Lelte. The song features Mary Dawngi and tells the story of a character named Khuma, who is seen by society as living a 'wretched life,' yet he finds ...
In 2013, he began a project named Beauty of Tradition in which a hundred of Myanmar Traditional songs were researched, organized and rerecorded. Then he cooperated with the Japanese Music Production Company, Airplane Label, and released three Myanmar traditional music albums in Japan during 2014 and 2015, under the name Beauty of Tradition. [23]
Copy thachin, or simply "copy music" is a genre of music in Myanmar that originates from the early 1980s. It merges the melody and instrumentals of international songs with Burmese vocals. Proponents of copy thachin argue that the style is separate from cover songs due to it having unique vocal arrangements and lyrics.