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Another may insist that the color of the sky is aqua rather than blue, while providing spectroscopic analyses as part of an assortment of verifiable evidence to support their position. Simultaneously, they demand that other editors show equivalent support in reliable sources for the claim that the sky is in fact blue. While there are times when ...
The sky actually appears to be blue less than half the time. Some conditions under which the sky may not appear blue: During the night, the sky appears black. Without light from the sun creating Rayleigh scattering, the sky cannot be seen as blue, [3] except in certain conditions when the moon is up. [4] Clouds can obscure the color of the sky.
Yes, the sky isn't blue when it's raining or at night. So yes, if wrong conclusions are drawn from a basic undisputed fact, people are free or indeed compelled to invoke WP:SYNTHESIS. The point is that you don't need to cite the fact that the sky is blue when this is a truism mentioned in passing in an article about an entirely different topic.
And we see the blue light instead of violet light because our eyes are more sensitive to it and the sun emits more blue than violet energy. We also see the Rayleigh effect at play in: - Sunsets ...
The scattered blue/violet light, appearing to come from all directions, is what makes the rest of the sky look blue. [24] [25] A satellite image of a section of the Great Wall of China, running diagonally from lower left to upper right (not to be confused with the much more prominent river running from upper left to lower right).
Show, don't tell is a narrative technique used in various kinds of texts to allow the reader to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. [1]
Contrast is the antonym of simile. In poetic compositions, it is common for poets to set out an elaborate contrast or elaborate simile as the argument. For example, John Donne and the metaphysical poets developed the conceit as a literary device, where an elaborate, implausible, and surprising analogy was demonstrated.
The early prints have a deliberately uneven blue sky, which increases the sky's brightness and gives movement to the clouds. The peak is brought forward with a halo of Prussian blue. Subsequent prints have a strong, even blue tone, and the printer added a new block, overprinting the white clouds on the horizon with light blue.