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In music theory a diatonic scale is a heptatonic (seven-note) scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps. In other words, the half steps are maximally separated from each other.
It is defined as the interval between two adjacent notes in a 12-tone scale (or half of a whole step), visually seen on a keyboard as the distance between two keys that are adjacent to each other. For example, C is adjacent to C ♯ ; the interval between them is a semitone.
These modes are sometimes referred to as the whole step/half-step diminished scale and the half-step/whole step diminished scale, respectively. [ 10 ] Each of the three distinct scales can form differently named scales with the same sequence of tones by starting at a different point in the scale.
For example, C to D (major second) is a step, whereas C to E (major third) is a skip. More generally, a step is a smaller or narrower interval in a musical line, and a skip is a wider or larger interval with the categorization of intervals into steps and skips is determined by the tuning system and the pitch space used.
Minor tone (10:9) Play ⓘ. In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (Play ⓘ).A second is a musical interval encompassing two adjacent staff positions (see Interval number for more details).
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