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  2. 10 Musical Geniuses Who Couldn't Read a Note of Music - AOL

    www.aol.com/lifestyle/10-musical-geniuses-could...

    2. Eddie Van Halen. The guitar virtuoso of Van Halen fame couldn’t read music, which is kind of crazy considering all the classical runs and flourishes that turn up regularly in his playing.

  3. Optical music recognition - Wikipedia

    en.wikipedia.org/wiki/Optical_music_recognition

    Optical music recognition (OMR) is a field of research that investigates how to computationally read musical notation in documents. [1] The goal of OMR is to teach the computer to read and interpret sheet music and produce a machine-readable version of the written music score.

  4. Guitar Zero - Wikipedia

    en.wikipedia.org/wiki/Guitar_Zero

    Guitar Zero: The New Musician and the Science of Learning is a 2012 popular science book by research psychologist Gary Marcus. It documents the author's process of learning the guitar while discussing aspects of music cognition and the role of critical periods in learning a musical ability.

  5. Ear training - Wikipedia

    en.wikipedia.org/wiki/Ear_training

    As a process, ear training is in essence the inverse of reading music, which is the ability to decipher a musical piece by reading musical notation. Ear training is typically a component of formal musical training and is a fundamental, essential skill required in music schools and the mastery of music.

  6. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    Only two or three frets are needed for the guitar chords—major, minor, and dominant sevenths—which are emphasized in introductions to guitar-playing and to the fundamentals of music. [ 92 ] [ 93 ] Each major and minor chord can be played on exactly two successive frets on exactly three successive strings, and therefore each needs only two ...

  7. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]

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