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Victorian architecture is a series of architectural revival styles in the mid-to-late 19th century. Victorian refers to the reign of Queen Victoria (1837–1901), called the Victorian era, during which period the styles known as Victorian were used in construction. However, many elements of what is typically termed "Victorian" architecture did ...
In the 1910s, Victorian styles of art and literature fell dramatically out of fashion in Britain, and by 1915 the word "Victorian" had become a derogatory term. [74] Many people blamed the outbreak of the First World War , which devastated Britain and Europe, on the legacy of the Victorian age, and arts and literature associated with the period ...
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
Despite its whimsical appearance, fairy painting is strongly rooted in the literary and theatrical influences of Romanticism and the cultural issues facing the Victorian era. Among the most significant of these influences were the fantasy themes of Shakespeare 's A Midsummer Night's Dream and The Tempest .
Sidney Edward Paget (/ ˈ p æ dʒ ɪ t /; [1] 4 October 1860 – 28 January 1908) was a British artist of the Victorian era, best known for his illustrations that accompanied Arthur Conan Doyle's Sherlock Holmes stories in The Strand Magazine.
Catherine Greenaway (17 March 1846 – 6 November 1901) was an English Victorian artist and writer, known for her children's book illustrations. She received her education in graphic design and art between 1858 and 1871 from the Finsbury School of Art, the South Kensington School of Art, the Heatherley School of Art, and the Slade School of Fine Art.
Children – her own children, those of relatives, and young locals – were often models for Cameron. Children were popular subjects in the Victorian era and Cameron kept with the prevailing notion of them as innocent, kind, and noble. She regularly depicted them as angels or as children from Bible stories. [8]: 373
The term was first used for San Francisco Victorian houses by Elizabeth Pomada and Michael Larsen in their 1978 book Painted Ladies: San Francisco's Resplendent Victorians. [1] Although polychrome decoration was common in the Victorian era, the colors used on these houses are not based on historical precedent. [2]