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Seven Types of Ambiguity ushered in New Criticism in the United States. The book is a guide to a style of literary criticism practiced by Empson. An ambiguity is represented as a puzzle to Empson. We have ambiguity when "alternative views might be taken without sheer misreading." Empson reads poetry as an exploration of conflicts within the author.
Tolkien's ambiguity, in his Middle-earth fiction, in his literary analysis of fantasy, and in his personal statements about his fantasy, has attracted the attention of critics, who have drawn conflicting conclusions about his intentions and the quality of his work, and of scholars, who have examined the nature of that ambiguity.
The Elf Ecthelion slays the Orc champion Orcobal in Gondolin. 2007 illustration by Tom Loback. J. R. R. Tolkien, a devout Roman Catholic, [T 1] created what he came to feel was a moral dilemma for himself with his supposedly evil Middle-earth peoples like Orcs, when he made them able to speak.
In mathematics and logic, ambiguity can be considered to be an instance of the logical concept of underdetermination—for example, = leaves open what the value of is—while overdetermination, except when like =, =, =, is a self-contradiction, also called inconsistency, paradoxicalness, or oxymoron, or in mathematics an inconsistent system ...
Empson's best-known work is the book Seven Types of Ambiguity, which, together with Some Versions of Pastoral and The Structure of Complex Words, mines the astonishing riches of linguistic ambiguity in English poetic literature. Empson's studies unearth layer upon layer of irony, suggestion and argumentation in various literary works, applying ...
Max Duperray explains that the choice of the term "horror" served to distinguish a later school within the Gothic movement, which Frankenstein is partly part of: "[...] whereas the early novels separate good and evil with an insurmountable barrier," he writes, "the later ones usher in the era of moral ambiguity, involving the reader more deeply in the mysteries of the transgressive ...
The Ethics of Ambiguity (French: Pour une morale de l'ambiguïté) is Simone de Beauvoir's second major non-fiction work. It was prompted by a lecture she gave in 1945, where she claimed that it was impossible to base an ethical system on her partner Jean-Paul Sartre 's major philosophical work Being and Nothingness ( French : L'Être et le ...
Such examples are quite common and can include cases from everyday life, stories, or thought experiments, like Sartre's student or Sophie's Choice discussed in the section on examples. [10] The strength of arguments based on examples rests on the intuition that these cases actually are examples of genuine ethical dilemmas.