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Wolfman Jack is sampled on J-Dilla's 2006 album, Donuts, on the track "Anti-American Graffiti". The sample comes from the 1973 album, How Time Flys by David Ossman. In his 2020 song "Murder Most Foul," Bob Dylan invokes Wolfman Jack many times. [28] Wolfman Jack appeared at the Modesto American Graffiti Festival several times, for the first ...
The music video starts with the disc jockey (DJ), "Wolfman Jack," introducing Walsh from a radio station booth. Walsh sits behind him, making faces and imitating Wolfman when he's not watching. As the song actually starts, we have shots of Walsh as the DJ in the radio booth.
The loop featured the history of the frequency and some of the station's eras with Wolfman Jack "The Soul Express", and its prior "Mighty 1090" existence, while also taking pot shots at a previous management running it into the ground. The loop also promoted the newly relaunched station as "the first radio station in the cloud, with no studios ...
Weekend editions were also heard on some U.S. radio stations in Texas, including KXOL, an AM station in Fort Worth. The show took telephone requests which were then mixed into the following-night program tape. Its big feature was the voice of the DJ, who was identified as the "Night Hawk", but who some mistook as a voice clone of Wolfman Jack.
Notable U.S. radio disc jockeys of the period included Alan Freed, Wolfman Jack, Casey Kasem, [25] and their British counterparts included the BBC's Brian Matthew and Alan Freeman, Radio London's John Peel, Radio Caroline's Tony Blackburn, and Radio Luxembourg's Jimmy Savile. [26] [27] Radio DJ Alan Freed on New York City's WINS (AM) in 1955.
An imitation of Wolfman Jack by disc jockey Ken Griffin also is featured briefly; the call sign of a radio station is stated ("Stereo 92" in the nationwide release). Numerous tracks of this line were cut to match local markets.
Wolfman Jack was moved into an early afternoon block, and was eventually eliminated altogether, along with other channel fixtures such as the Sonic Sound Salute, Sweet Sixteen Music Machine countdown, and Chickenman. The classic PAMS jingles were edited to remove references to XM Radio, or jingles not referencing XM were used.
He returned to New York after his short stint on WHFS on the weekend show NBC Monitor and as a fill-in morning DJ, and then in 1972 moved to a regular evening weekend program on WNBC radio where Don Imus was broadcasting; he was joined there by the legendary Wolfman Jack, a year later.