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The Toltecs and Aztecs also had their own form of paper. [2] The Aztec amatl (amate) was used for writing, decorations, rituals, and as material for masks. Aztec paper, like Maya paper, is not considered true paper by some. Like its predecessors, it was made from the inner bark of the wild fig tree, beaten, stretched, and dried.
Ichcahuipilli were made of successive layers of packed cotton and cloth, at least one inch thick, and sewn in diamond-shaped patterns. Wearers usually wore the ichcahuipilli directly on their skin, however, the most experienced warriors, especially those of the orders of eagle and jaguar warriors , used it to complement a tlahuiztli suit.
In the Tlapa tribute roll, exchange rates included 1 quachtli for 20 cakes of rubber and 112.5 quachtli for 1 warrior costume. [3] The standard of living has been expressed using quachtli, with an estimate saying an individual could live for a year on 20 quachtli. [2] There is little evidence that this cloth was worn. [2]
Aztec codices were usually made from long sheets of fig-bark paper or stretched deerskins sewn together to form long and narrow strips; others were painted on big cloths. [5] Thus, usual formats include screenfold books, strips known as tiras, rolls, and cloths, also known as lienzos. While no Aztec codex preserves its covers, from the example ...
Chilkat blanket in the collection of the University of Alaska Museum of the North, Fairbanks, Alaska. Traditional textiles of Northwest Coast tribes are enjoying a dramatic revival. Chilkat weaving and Ravenstail weaving are regarded as some of the most difficult weaving techniques in the world. A single Chilkat blanket can take an entire year ...
On the top left, the pot at the top of a bundle of reeds is 400 pots of liquid amber. Next to it with a bundle of reeds and a divided rectangle is the depiction of "400 small [cotton] mantles to purchase food en route." The four reed bundles and 10 small squares depict 1,600 pairs of sandals for the warriors in Guzmán's campaign.