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It contains words and full music for some 60 of the madrigals and songs of the English Madrigal School. When selecting works for this book, Ledger decided to represent the major composers of 16th-century English music such as William Byrd and Thomas Morley with several madrigals, alongside individual works by lesser-known composers.
The English Madrigal School was the intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them. The English madrigals were a cappella, predominantly light in style, and generally began as either copies or direct translations of Italian models. Most were for three to six voices.
Print/export Download as PDF ... Pages in category "English madrigals" The following 9 pages are in this category, out of 9 total. ... The Oxford Book of English ...
Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... The Oxford Book of English Madrigals;
The success of the first book of madrigals, Il primo libro di madrigali (1539), by Jacques Arcadelt (1507–1568), made it the most reprinted madrigal book of its time. [10] Stylistically, the music in the books of Arcadelt and Verdelot was closer to the French chanson than the Italian frottola and the motet , given that French was their native ...
In 1588 Nicholas Yonge published his Musica transalpina, the collection of Italian madrigals fitted with English texts, which touched off the explosive and colourful vogue for madrigal composition in England. Morley found his compositional direction at this time, and shortly afterwards began publishing his own collections of madrigals (11 in all).
First Set of English Madrigals of three, four, five, and six parts, apt both for Viols and Voices ; with a mourning song, in memory of Prince Henry. Newly composed by John Ward. 1613 Edition: ed Fellowes, EM 19 1922, 1968 (rev). Two of Ward's madrigals are included in The Oxford Book of English Madrigals.
The Triumphs of Oriana is a book of English madrigals, compiled and published in 1601 by Thomas Morley, which first edition [1] has 25 pieces by 23 composers (Thomas Morley and Ellis Gibbons have two madrigals) for 5 and 6 voices. The first 14 madrigals are for 5vv, the last 11 for 6vv. It was said to have been made to honour Queen Elizabeth I.