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It contains words and full music for some 60 of the madrigals and songs of the English Madrigal School. When selecting works for this book, Ledger decided to represent the major composers of 16th-century English music such as William Byrd and Thomas Morley with several madrigals, alongside individual works by lesser-known composers.
The English Madrigal School was the intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them. The English madrigals were a cappella, predominantly light in style, and generally began as either copies or direct translations of Italian models. Most were for three to six voices.
The success of the first book of madrigals, Il primo libro di madrigali (1539), by Jacques Arcadelt (1507–1568), made it the most reprinted madrigal book of its time. [10] Stylistically, the music in the books of Arcadelt and Verdelot was closer to the French chanson than the Italian frottola and the motet , given that French was their native ...
In 1588 Nicholas Yonge published his Musica transalpina, the collection of Italian madrigals fitted with English texts, which touched off the explosive and colourful vogue for madrigal composition in England. Morley found his compositional direction at this time, and shortly afterwards began publishing his own collections of madrigals (11 in all).
Hengrave was a recusant household, but little religious music by Wilbye survives, and even less keyboard music (one piece in Clement Matchett's Virginal Book). His main interest seems to have been madrigals. A set of madrigals by him appeared in 1598, and a second in 1608, the two sets containing sixty-four pieces. [4]
Download as PDF; Printable version; In other projects ... Pages in category "English madrigals" ... The Oxford Book of English Madrigals; A. April is in my mistress ...
Fair Phyllis (also Fair Phyllis I saw, Fair Phyllis I saw sitting all alone) is an English madrigal by John Farmer.The music is polyphonic and was published in 1599. The madrigal contains four voices and uses occasional imitation.
First Set of English Madrigals of three, four, five, and six parts, apt both for Viols and Voices ; with a mourning song, in memory of Prince Henry. Newly composed by John Ward. 1613 Edition: ed Fellowes, EM 19 1922, 1968 (rev). Two of Ward's madrigals are included in The Oxford Book of English Madrigals.