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  2. Data compression ratio - Wikipedia

    en.wikipedia.org/wiki/Data_compression_ratio

    Lossless compression of digitized data such as video, digitized film, and audio preserves all the information, but it does not generally achieve compression ratio much better than 2:1 because of the intrinsic entropy of the data. Compression algorithms which provide higher ratios either incur very large overheads or work only for specific data ...

  3. Video codec - Wikipedia

    en.wikipedia.org/wiki/Video_codec

    Video compression schemes for Web and DVD make use of a 4:2:1 color sampling pattern, and the DV standard uses 4:1:1 sampling ratios. Professional video codecs designed to function at much higher bitrates and to record a greater amount of color information for post-production manipulation sample in 4:2:2 and 4:4:4 ratios.

  4. Comparison of video codecs - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_video_codecs

    The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.

  5. Video coding format - Wikipedia

    en.wikipedia.org/wiki/Video_coding_format

    A video coding format [a] (or sometimes video compression format) is a content representation format of digital video content, such as in a data file or bitstream. It typically uses a standardized video compression algorithm, most commonly based on discrete cosine transform (DCT) coding and motion compensation .

  6. Data compression - Wikipedia

    en.wikipedia.org/wiki/Data_compression

    Although lossless video compression codecs perform at a compression factor of 5 to 12, a typical H.264 lossy compression video has a compression factor between 20 and 200. [ 69 ] The two key video compression techniques used in video coding standards are the DCT and motion compensation (MC).

  7. High Efficiency Video Coding tiers and levels - Wikipedia

    en.wikipedia.org/wiki/High_Efficiency_Video...

    The HEVC standard defines thirteen levels. [1] [2] A level is a set of constraints for a bitstream.[1] [2] For levels below level 4 only the Main tier is allowed.[1] [2] A decoder that conforms to a given tier/level is required to be capable of decoding all bitstreams that are encoded for that tier/level and for all lower tiers/levels.

  8. Advanced Video Coding - Wikipedia

    en.wikipedia.org/wiki/Advanced_Video_Coding

    Advanced Video Coding (AVC), also referred to as H.264 or MPEG-4 Part 10, is a video compression standard based on block-oriented, motion-compensated coding. [2] It is by far the most commonly used format for the recording, compression, and distribution of video content, used by 91% of video industry developers as of September 2019.

  9. Common Intermediate Format - Wikipedia

    en.wikipedia.org/wiki/Common_Intermediate_Format

    The simple way to convert NTSC video to CIF is to capture every other field (e.g., the top fields) of interlaced video, downsample it by 2:1 horizontally to convert 704 samples per line to 352 samples per line, and upsample it vertically by a ratio of 6:5 vertically to convert 240 lines to 288 lines.