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A daily production report (DPR) or production report (PR) in filmmaking is the form filled out each day of production for a movie or television show to summarize what occurred that day. There is no standard template for a production report and each show usually has an original template, often created before production begins by one of the ...
A production report ("PR") is a filmmaking term for the form filled out each day of production of a movie or television show to summarize what occurred that day. [1] There is no standard template for a production report, and each show usually has an original template, often created before production begins by one of the assistant directors ("AD").
[26] According to film critic J. Hoberman, Minority Report "visualizes (as well as demonstrates) a future where the unconscious has been thoroughly colonized." [27] When the movie first appeared in theaters a common source of reviewers' complaints was the film's product placement, which they found intrusive. [28]
The Guardian published a piece titled "Why Minority Report was spot on" in June 2010, [14] and the following month Fast Company examined seven crime fighting technologies in the film similar to ones then currently appearing. It summarized that "the police state imagined in the Tom Cruise flick feels a bit more real every day."
A sound report is a filmmaking term for a sheet of paper created by the sound mixer to record details of each file recorded during filming. [1] A sound report is arranged in a table format, where the rows represent each file recorded, which at the least would contain columns for noting down the scene, slate or shot and take number, and a wider column for remarks about the particular take's sound.
The Film Inventory Report or Daily Raw Stock Log is a filmmaking term for a report produced by the clapper loader each day. The report shows how much raw film stock was used that day, the number of good and no-good shots and the amount of film stock wasted.
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Harrison's Reports and Film Reviews is the 15-volume reprint of the complete run of the weekly magazine Harrison's Reports from its founding in 1919 to its demise in 1962. Volumes 1 through 14 are facsimile reprints of the more than 2,000 weekly issues. The reprints were edited by D. Richard Baer and published 1992-1995 by Hollywood Film Archive.