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The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323 BC ...
Kouros (Ancient Greek: κοῦρος, pronounced, plural kouroi) is the modern term [a] given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily.
Kore (Greek: κόρη "maiden"; plural korai) is the modern term [1] given to a type of free-standing ancient Greek sculpture of the Archaic period depicting female figures, always of a young age. Kouroi are the youthful male equivalent of kore statues. Korai show the restrained "archaic smile", which did not demonstrate emotion.
However, their use as supports in the form of women can be traced back even earlier, to ritual basins, ivory mirror handles from Phoenicia, and draped figures from archaic Greece. The best-known and most-copied examples are those of the six figures of the Caryatid porch of the Erechtheion on the Acropolis at Athens.
Peplos Kore, c. 530 BC. Among the most ancient korai found on the Athenian acropolis, are Acropolis 619 and Acropolis 677 which date from the first half of the 6th century and derive from Samos and Naxos respectively, while the Kore of Lyons, dating to the middle of the century, represents the first example of Ionian influence on Attic sculpture, as well as the first use of typical Ionian ...
Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world. The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is ...