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Aab-e hayat (Urdu: آبِ حیات, lit. water of life) is a commentary (or tazkira) on Urdu poetry written by Muhammad Husain Azad in 1880. [1] The book was described as "canon-forming" and "the most often reprinted, and most widely read, Urdu book of the past century." [1] [2] The book is regarded as the first chronological history of Urdu ...
Aab-e-Hayat Muhammad Husain Azad ( Urdu : مُحمّد حُسَین آزاد — Mọḥammad Ḥusẹ̅n Āzād ; 5 May 1830 – 22 January 1910) was a scholar and an Urdu writer who wrote both prose and poetry, but he is mostly remembered for his prose.
Aab-e hayat or Ab-e Hayat (Persian: آب حیات, lit. 'water of life') may refer to: Fountain of Youth in Persian literature; Ab-e Hayat, Iran, a village in Kerman Province, Iran; Aab-e hayat, an 1880 work on Urdu poetry written by Muhammad Husain Azad; Aab-e-Hayat, a book by Muhammad Qasim Nanautavi; Abe-Hayat, a 1955 Bollywood film
According to Muhammad Husain Azad in Aab-e-Hayat: Mirzā Sahib died on the 29th of Muharram, AH 1292 [1875–76], at the age of 72 years. In his lifetime he must have written at least three thousand elegies. Not counting his salāms and nauhas and quatrains.
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
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Tameer-e Hayat (Urdu: تعمیر حیات) is a biweekly Urdu magazine published by Darul Uloom Nadwatul Ulama since 1963. [1] Founded under the editorship of Mohammad al-Hasani, it is currently overseen by Shamsul Haq Nadwi. [2] The magazine follows a biweekly schedule, releasing on the 10th and 25th of each month.
Naqsh-e-Hayat (Urdu: نقش حیات) is the autobiography of Hussain Ahmed Madani, originally published in two volumes between 1953 and 1954. [1] It provides a glimpse into his daily life, exposing the exploitative colonial practices that burdened Indians with economic hardship, eroded their cultural identity, and influenced their faith.