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Gullace, Nicoletta F. "Allied Propaganda and World War I: Interwar Legacies, Media Studies, and the Politics of War Guilt" History Compass (Sept 2011) 9#9 pp 686–700 Gullace, Nicoletta F. "Sexual violence and family honor: British propaganda and international law during the First World War," American Historical Review (1997) 102#3 714–747.
The Committee on Public Information (1917–1919), also known as the CPI or the Creel Committee, was an independent agency of the government of the United States under the Wilson administration created to influence public opinion to support the US in World War I, in particular, the US home front.
The U.S. entered the war in April 1917, which achieved Wellington House's primary objective. The DOI increased its production of war films, but did not know what would play most effectively in the U.S., leading to nearly every British war film being sent to the States thereafter, including The Tanks in Action at the Battle of the Ancre and The Retreat of the Germans at the Battle of Arras ...
“The Conundrum of American Power in the Age of World War I,” Modern American History (2019): 1-21. Hannigan, Robert E. The Great War and American Foreign Policy, 1914–24 (U of Pennsylvania Press, 2017) Kang, Sung Won, and Hugh Rockoff. "Capitalizing patriotism: the Liberty loans of World War I." Financial History Review 22.1 (2015): 45 ...
An American propaganda poster from World War II produced under the Works Progress Administration. In the United States, propaganda is spread by both government and non-government entities. Throughout its history, to the present day, the United States government has issued various forms of propaganda to both domestic and international audiences.
The Four Minute Men idea became a useful tool in the propaganda campaign because it addressed a specific rhetorical situation. One of the challenges of the effort was the fragmented audiences of the United States. Many different heritages were represented in the country, and President Wilson needed their support for the war.
In the United States during World War II, President Franklin D. Roosevelt recognized that the direct style of propaganda would not win over the American public. He assigned Lowell Mellett to the post of coordinator of government film. Although he had no jurisdiction over Hollywood films, he pressured the industry into contributing to the war ...
The United States in the First World War: ... Entry into the Great War" OAH Magazine of History (2002) 17#1 pp. 40–47 lesson plan ... Propaganda at Home (USA ...