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Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Blessed are the Dead − motet for double choir SATB.SATB unaccompanied (1920; unfinished - completed by Patrick Russill) A Golden Lullaby − Unison song for voices and piano (1920) Sing lullaby for SATB unaccompanied (1920) O Lord, Who Createst Man − 3-part song for female voices and piano (1923) When First Thine Eyes Unveil for SATB ...
cross-indexing of choral music using criteria including musical genre, period, and number and voicing of choral parts; composer information; description and performance considerations can be included for works; contents of collections of choral music; community discussion such as through "Talk" pages related to composers or specific works.
SATB and piano; text based on love songs by American woman poets. May Sky (1997) SATB divisi, a cappella; text by Tokuji Hirai, Neiji Ozawa, Reiko Gomyo, and Suiko Matsushita. Reasons for Loving Harmonica (1997) SATB and piano; text by Julie Kane. Density of Light (1998) SATB, treble choir, brass; text by Thomas H. Troeger. Ring the Bells (1998)
SATB is an initialism that describes the scoring of compositions for choirs or consorts of instruments. The initials are for the voice types : S, soprano , A, alto , T, tenor and B, bass . It can also describe a choir, collectively for SATB music.
2. I know my soul hath power (SATB) / words by John Davies. 3. Never weather-beaten sail (SSATB) / words by Thomas Campion. 4. There is an old belief (SSATBB) / words by John Gibson Lockhart. 5. At the round earth's imagined corners (SSAATTBB) / words by John Donne. 6. Lord, let me know mine end (SATB/SATB) / words from Psalm 39] Two Carols, p ...