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The work has been described by Laura Saetveit Miles, a University of Bergen Professor of medieval literature, as "one of the most admired fifteenth-century Middle English lyrics [which] offers, within a deceptively simple form, an extremely delicate and haunting presentation of Mary (the 'mayden / þat is makeles') and her conception of Christ ('here sone')". [1]
Some hymns to Mary are also included in the Evangelical Lutheran Worship hymnal, e.g. hymn number 251 is "My Soul Proclaims Your Greatness", which is based on the Magnificat and hymn 419 is "For All the Faithful Women" in which the first stanza includes: "We honor faithful Mary, fair maiden, full of grace".
Elizabeth praises Mary for her faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat. Some ancient authorities have Elizabeth, rather than Mary, speaking the Magnificat. [3] [4] The Magnificat is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn.
A new movie about the life of Mary, the mother of Jesus Christ, is sparking debate among viewers and religious scholars alike. “Mary,” a Biblical epic streaming now on Netflix, tells the story ...
Marian music is now an inherent element in many aspects of the veneration of the Blessed Virgin Mary in Catholic Mariology. Throughout the centuries Marian music has grown and progressed, and witnessed a resurgence along with the Renaissance , e.g. with the composition of the Ave Maria motet by Josquin des Prez .
Hymn tune. O Mary of Graces is a traditionally Catholic Marian hymn based on an ancient Irish prayer to Mary, the mother of Jesus.Two versions of the hymn exist based on differing translations made of the original prayer by Priest Douglas Hyde and J. Rafferty, with the Hyde version being more popular.
Catholic Mariology is the systematic study of the person of Mary, mother of Jesus, and of her place in the Economy of Salvation [1] [2] [3] in Catholic theology.According to the doctrine of the Immaculate Conception taught by the Catholic Church, Mary was conceived and born without sin, hence she is seen as having a singular dignity above the saints, receiving a higher level of veneration than ...
The Latin version has been set to music in the West many times, notably by Marc-Antoine Charpentier, [18] (3 settings: H.20, for 3 voices and bc, 1670; H.28, for 3 voices unaccompanied, 1681–82; H.352, for 1 voice and bc; late1680s), Jan Dismas Zelenka, (10 settings for SATB and bc), [19] Antonio Salieri, Wolfgang Amadeus Mozart and Ludwig ...