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Anne's gown is open at the front to reveal a figured silk kirtle beneath. The gowns have wide sleeves with turned-back cuffs lined in fur, 1508. Anne Stafford wears a black fur-lined gown with turned-back sleeves over a dark kirtle [13] She wears a soft sash at her waist and a sheer partlet over a square-necked chemise, c. 1535.
Her black gown is high necked in front and lower at the back, typical of Italian fashion at this time, and is worn with floral sleeves, probably attached to an underdress, 1465–1470. Italian fresco showing women with their hair braided or twisted, and wrapped around their heads, secured with ribbons laced through the coils, 1468–1470.
Gowns were made in a variety of styles: Loose or fitted (called in England a French gown); with short half sleeves or long sleeves; and floor length (a round gown) or with a trailing train. [20] [21] The gown was worn over a kirtle or petticoat (or both, for warmth). Prior to 1545, the kirtle consisted of a fitted one-piece garment. [22]
Princess di Sant' Antimo's gown of watered silk shows the short sleeves, lace flounce collar, and long pointed waist of the early 1840s. The tiny pleats that gather her skirt can be seen at the waistline. 1840–1844. Shoulders were narrow and sloping, waists became low and pointed, and sleeve detail migrated from the elbow to the wrists.
A houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Middle Ages. Sometimes the houppelande was lined with fur. The garment was later worn by professional classes, and has remained in Western civilization as the familiar academic and legal robes of ...
For hawking, this woman wears a pink sleeveless gown over a green kirtle, with a linen veil and white gloves. Codex Manesse , 1305–40 Women making pasta wear linen aprons over their gowns. Their sleeves are unbuttoned at the wrist and turned up out of the way, late 14th century Many Italian women wear their hair twisted with cord or ribbon ...