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The first chord of the first movement, which consists of four pitches, E, F ♯, A, and B, is relatively tonal, especially when compared to the first chord of Piano Concerto No. 1. The chord develops further with the addition of C ♯ in the second bar, resulting in the pentatonic, which is followed with G ♯, leaving a major scale short of D ...
For each Year in Music (beginning 1940) and Year in Country Music (beginning 1939), a comprehensive Year End Top Records section can be found at mid-page (popular), and on the Country page. For the United States, charts are compiled from data published by Billboard magazine, using their own formulas with slight modifications.
Released as a single by Decca Records, Tharpe's version featured her vocals and electric guitar, with Sammy Price (piano), bass and drums. It was the first gospel record to cross over and become a hit on the "race records" chart, the term then used for what later became the R&B chart, and reached #2 on the Billboard "race" chart in April 1945 ...
List of pieces using polytonality and/or bitonality.. Samuel Barber. Symphony No. 2 (1944) [citation needed]; Béla Bartók. Mikrokosmos Volume 5 number 125: The opening (mm. 1-76) of "Boating", (actually bimodality) in which the right hand uses pitches of E ♭ dorian and the left hand uses those of either G mixolydian or dorian [1]
In this same year, Al Hopkins & the Hill Billies become the first country recording artists to record in New York, make a short film, base themselves in Washington, D.C., play for a president (Calvin Coolidge) and use a piano and Hawaiian guitar. [150]
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) [1] was an American jazz pianist and composer.A pioneer in the development of bebop and its associated contributions to jazz theory, [2] Powell's application of complex phrasing to the piano influenced both his contemporaries and later pianists including Walter Davis Jr., Toshiko Akiyoshi, and Barry Harris.
Years active 1968–present Lord David Paul Nicholas Dundas (born 2 June 1945) is an English musician and actor, best known for his chart success in the pop genre during the 1970s as well as his later career in film and television scores.
An early 1940s style known as "jumping the blues" or jump blues used small combos, uptempo music, and blues chord progressions. Jump blues drew on boogie-woogie from the 1930s. Kansas City Jazz in the 1930s as exemplified by tenor saxophonist Lester Young marked the transition from big bands to the bebop influence of the 1940s.