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Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
The body of art, including painting, sculpture, architecture, music and literature identified as "Renaissance art" was primarily produced during the 14th, 15th, and 16th centuries in Europe under the combined influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man. [3]
In the late 16th century, as the Renaissance era closes, an extremely manneristic style develops. In secular music, especially in the madrigal, there was a trend towards complexity and even extreme chromaticism (as exemplified in madrigals of Luzzaschi, Marenzio, and Gesualdo). The term mannerism derives from art history.
The Italian Renaissance peaked in the mid-16th century as domestic disputes and foreign invasions plunged the region into the turmoil of the Italian Wars (1494–1559). However, the ideas and ideals of the Italian Renaissance spread into the rest of Europe, setting off the Northern Renaissance from the late 15th century.
The First Corridor in the Uffizi. The Giovio portraits are the smaller paintings displayed just below the painted ceiling. The Giovio Series, also known as the Giovio Collection or Giovio Portraits, is a series of 484 portraits assembled by the 16th-century Italian Renaissance historian and biographer Paolo Giovio.
Arts of the late 15th century and early 16th century were dominated by three men. They were Leonardo da Vinci, Michelangelo, and Raphael. Leonardo da Vinci painted two of the most famous works of Renaissance art, the wallpainting The Last Supper and the portrait Mona Lisa. Leonardo had one of the most searching minds in all history.
These artists were known for their innovative use of color, intricate detail, and emotive expressions, helping to define early Italian Renaissance art. [2] The 16th century saw the emergence of another influential school led by Dosso Dossi, who was known for his imaginative and often fantastical landscapes and subjects. [3]
At the end of the 17th century things began to change dramatically, and for much of the 18th century Venetian painters were in remarkable demand all over Europe, even as the city itself declined and was a much reduced market, in particular for large works; [46] "Venetian art had become, by the mid-eighteenth century, a commodity primarily for ...