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Pablo Picasso, Les Demoiselles d'Avignon (1907). This Proto-Cubist work is considered a seminal influence on subsequent trends in modernist painting.. Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. [1]
The work of Theodor Lipps, a Munich-based research psychologist, played an important role in the early development of the concept of art psychology in the early decade of the twentieth century. [citation needed] His most important contribution in this respect was his attempt to theorize the question of Einfuehlung or "empathy", a term that was ...
Modernism, with its sense that 'things fall apart,' can be seen as the apotheosis of romanticism, if romanticism is the (often frustrated) quest for metaphysical truths about character, nature, a higher power and meaning in the world. [11] Modernism often yearns for a romantic or metaphysical centre, but later finds its collapse.
Dadaism preceded Surrealism, where the theories of Freudian psychology led to the depiction of the dream and the unconscious in art in work by Salvador Dalí. Kandinsky's introduction of non-representational art preceded the 1950s American Abstract Expressionist school, including Jackson Pollock, who dripped paint onto the canvas, and Mark Rothko, who created large areas of flat colour.
Others see modernist art, for example in blues and jazz music, as a medium for emotions and moods, and many works dealt with contemporary issues, like feminism and city life. Some artists and theoreticians even added a political dimension to American modernism. American modernist design and architecture enabled people to lead a modern life.
Modernism: The Lure of Heresy is a 2007 book about Modernism by Peter Gay, in which the author discusses art-forms including literature, painting, architecture, music, cinema and sculpture. The work was favorably reviewed.
The strands of thought that eventually led to modern art can be traced back to the Enlightenment. [b] The modern art critic Clement Greenberg, for instance, called Immanuel Kant "the first real Modernist" but also drew a distinction: "The Enlightenment criticized from the outside ... . Modernism criticizes from the inside."
In psychology of art, the relationship between art and emotion has newly been the subject of extensive study thanks to the intervention of esteemed art historian Alexander Nemerov. Emotional or aesthetic responses to art have previously been viewed as basic stimulus response, but new theories and research have suggested that these experiences ...