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This Proto-Cubist work is considered a seminal influence on subsequent trends in modernist painting. Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. [1] Philosophy, politics, architecture, and social issues were all aspects of this movement.
The work of Theodor Lipps, a Munich-based research psychologist, played an important role in the early development of the concept of art psychology in the early decade of the twentieth century. [citation needed] His most important contribution in this respect was his attempt to theorize the question of Einfuehlung or "empathy", a term that was ...
Pseudo-modernism's "typical intellectual states" are furthermore described as being "ignorance, fanaticism and anxiety" and it is said to produce a "trance-like state" in those participating in it. The net result of this media-induced shallowness and instantaneous participation in trivial events is a "silent autism" superseding "the neurosis of ...
Modernist writers, like Monet's paintings of water lilies, suggested an awareness of art as art, rejected realistic interpretations of the world and dramatized "a drive towards the abstract". [ 21 ] Initially, some modernists fostered a utopian spirit, stimulated by innovations in anthropology , psychology , philosophy , political theory ...
The strands of thought that eventually led to modern art can be traced back to the Enlightenment. [b] The modern art critic Clement Greenberg, for instance, called Immanuel Kant "the first real Modernist" but also drew a distinction: "The Enlightenment criticized from the outside ... . Modernism criticizes from the inside."
In 2001, Kenneth Gergen, a pioneer in postmodern psychological theory, identified "emphasis on the individual mind, an objectively knowable world, and language as carrier of truth" as the cornerstones of traditional modernist psychology. He noted criticism of these assumptions coming from "every quarter of the humanities and the sciences", and ...
It bases much of its core beliefs on the integral theory of Ken Wilber, those of creating a synthesis of "pre-modern", "modern" and "postmodern" realities. In transmodernism, there is a place for both tradition and modernity, and it seeks as a movement to re-vitalise and modernise tradition rather than destroy or replace it.
Others see modernist art, for example in blues and jazz music, as a medium for emotions and moods, and many works dealt with contemporary issues, like feminism and city life. Some artists and theoreticians even added a political dimension to American modernism. American modernist design and architecture enabled people to lead a modern life.