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The SST was a design that combined Gibson's steel-string acoustic and electric guitar technology. [2] The guitar had a solid spruce or cedar top and a mahogany body. Unlike most acoustic-electrics, the SST had no resonating chamber or soundhole. The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with ...
Slide guitar is a common technique that can be played on acoustic, steel acoustic, and/or electric guitars. It is primarily used in the blues, rock, and country genres. [ 23 ] When playing with this technique, guitarists wear a small metal, glass, or plastic tube on one of their fretting hand fingers and slide it across the fretboard rather ...
The guitar's combination of traditional magnetic pickups and piezo-electrics in the bridge allowed players to achieve both electric and acoustic tones. Perhaps most significant to the guitar's design is the almost complete absence of a neck heel to permit greater ease of access to the uppermost frets.
In fret dressing, a luthier levels and polishes the frets, and crowns (carefully rounds and shapes) the ends and edges. Stainless steel guitar frets may never need dressing, because of the density of the material. [2] Not having frets carefully and properly aligned with the fingerboard can cause severe intonation issues and constant detuning.
The design is distinct from a semi-acoustic guitar, which is an electric guitar with the addition of sound chambers within the guitar body. Usually, acoustic-electric guitars are fitted with piezoelectric pickups, requiring a preamplifier incorporated into the guitar body to amplify the signal before it travels to the main guitar amplifier ...
The Gibson ES-335 is a semi-hollow body semi-acoustic guitar introduced by the Gibson Guitar Corporation as part of its ES (Electric Spanish) series in 1958.It has a solid maple wood block running through the center of its body with hollow upper bouts and two violin-style f-holes cut into the top over the hollow chambers. [1]