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Postmodernism is a term used to refer to a variety of artistic, cultural, and philosophical movements that claim to mark a break from modernism. They have in common the conviction that it is no longer possible to rely upon previous ways of depicting the world.
Postmodernism, or, the Cultural Logic of Late Capitalism is a 1991 book by Fredric Jameson, in which the author offers a critique of modernism and postmodernism from a Marxist perspective. The book began as a 1984 article in the New Left Review. [1] [2] It has been presented as his "most wide-ranging and accessible book". [3]
Jencks in the book explains on why he is using the term Post-Modernism and not postmodernism as this: [5] As an unfinished movement of five decades, Post-Modernism is still contentious, and critics disagree over its meaning. The different spellings reflect this, including the streamlined version of a single word, Postmodernism.
In Spanish-speaking Latin America, modernismo and posmodernismo refer to early 20th-century literary movements that have no direct relationship to modernism and postmodernism in English. Finding it anachronistic, Octavio Paz has argued that postmodernism is an imported grand récit that is incompatible with the cultural production of Latin America.
Postmodernity (post-modernity or the postmodern condition) is the economic or cultural state or condition of society which is said to exist after modernity. [nb 1] Some schools of thought hold that modernity ended in the late 20th century – in the 1980s or early 1990s – and that it was replaced by postmodernity, and still others would extend modernity to cover the developments denoted by ...
The scale is larger than just postmodernism alone; it must be interpreted through cultural studies where science and technology studies play a large role. The reality of the September 11 attacks on the United States of America is the catalyst for his explanation. In response, Kellner continues to examine the repercussions of understanding the ...
It is sometimes classified as a form of Postmodernism. [2] It has been described as poetry of the personal or "I", focusing on extreme moments of individual experience, the psyche, and personal trauma, including previously and occasionally still taboo matters such as mental illness, sexuality, and suicide, often set in relation to broader ...
Salient features of postmodernism are normally thought to include the ironic play with styles, citations and narrative levels, [7] a metaphysical skepticism or nihilism towards a "grand narrative" of Western culture, [8] a preference for the virtual at the expense of the real (or more accurately, a fundamental questioning of what "the real ...