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In 1981–82 Dr. Hartmann was a visiting scientist at the Institute for Research on Acoustics and Music in Paris. He subsequently served at IRCAM as acting director of acoustics (1982–1983) and as consultant (1983–1987). He was an associate editor of Music Perception from 1988 to 1997, and he is currently the editor-in-chief of the Springer ...
Stanley Smith Stevens (November 4, 1906 – January 18, 1973) [1] was an American psychologist who founded Harvard's Psycho-Acoustic Laboratory, studying psychoacoustics, [2] and he is credited with the introduction of Stevens's power law. Stevens authored a milestone textbook, the 1400+ page Handbook of Experimental Psychology (1951).
Psychoacoustics is the branch of psychophysics involving the scientific study of the perception of sound by the human auditory system. It is the branch of science studying the psychological responses associated with sound including noise , speech , and music .
Harold Burris-Meyer (1902-September 27, 1984) [3] was a twentieth century American scientist who investigated the use of sound as a tool for emotional and physiological control and played a critical role in the emerging fields of sound design for theater, productivity music for industry, and applied psychoacoustics for warfare. [2]
Acoustics – interdisciplinary science that deals with the study of all mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acoustician while someone working in the field of acoustics technology may be called an acoustical ...
Hermann von Helmholtz elaborated the law into what is often today known as Ohm's acoustic law, by adding that the quality of a tone depends solely on the number and relative strength of its partial simple tones, and not on their relative phases. [4] [5] Helmholtz championed the law in opposition to contrary evidence expounded by August Seebeck. [6]
In about 20 BC, the Roman architect and engineer Vitruvius wrote a treatise on the acoustic properties of theaters including discussion of interference, echoes, and reverberation—the beginnings of architectural acoustics. [10] In Book V of his De architectura (The Ten Books of Architecture) Vitruvius describes sound as a wave comparable to a ...
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