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In 1981–82 Dr. Hartmann was a visiting scientist at the Institute for Research on Acoustics and Music in Paris. He subsequently served at IRCAM as acting director of acoustics (1982–1983) and as consultant (1983–1987). He was an associate editor of Music Perception from 1988 to 1997, and he is currently the editor-in-chief of the Springer ...
Psychoacoustics is the branch of psychophysics involving the scientific study of the perception of sound by the human auditory system. It is the branch of science studying the psychological responses associated with sound including noise , speech , and music .
Psychoacoustics tries to explain how humans respond to what they hear, whether that is an annoying noise or beautiful music. In many branches of acoustic engineering, a human listener is a final arbitrator as to whether a design is successful, for instance, whether sound localisation works in a surround sound system.
His text book An Introduction to the Psychology of Hearing [6] has been cited over 5600 times and has been translated into Japanese, Polish, Korean, and Chinese. Other books include Cochlear hearing Loss [ 7 ] and Auditory Processing of Temporal Fine Structure: Effects of Age and Hearing Loss.
Harold Burris-Meyer (1902-September 27, 1984) [3] was a twentieth century American scientist who investigated the use of sound as a tool for emotional and physiological control and played a critical role in the emerging fields of sound design for theater, productivity music for industry, and applied psychoacoustics for warfare. [2]
Audio magazine was a periodical published from 1947 to 2000. It was America's longest-running audio magazine. [1] Audio published reviews of audio products and audio technology as well as informational articles on topics such as acoustics, psychoacoustics and the art of listening.
The GCD of the frequency of all harmonics is the fundamental (dashed). A low pitch (also known as the pitch of the missing fundamental or virtual pitch [3]) can sometimes be heard when there is no apparent source or component of that frequency.
A combination tone (also called resultant or subjective tone) [2] is a psychoacoustic phenomenon of an additional tone or tones that are artificially perceived when two real tones are sounded at the same time.