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A verse is formally a single metrical line in a poetic composition. [1] However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas.
Transcending the limitations of the form, according to Wordsworth's note on the work, the sonnets taken "together may be considered as a poem". In addition, by keeping his authorial presence at a minimum, he is able to avoid the intrusive strain of personal memory and melancholy which had characterized the river sonnets of his predecessors and ...
In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or rock music, although the term is also associated with the concept of a stylized storytelling song or poem, particularly when used as a title for other media such as a film.
This poem marks the introduction into an English context of the classical pastoral, a mode of poetry that assumes an aristocratic audience with a certain kind of attitude to the land and peasants. The explorations of love found in the sonnets of William Shakespeare and the poetry of Walter Raleigh and others also implies a courtly audience.
Typically, light verse in English is formal verse, although a few free verse poets have excelled at light verse outside the formal verse tradition. While light poetry is sometimes condemned as doggerel or thought of as poetry composed casually, humor often makes a serious point in a subtle or subversive way.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
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The first edition of Tottel's Miscellany (1557) featured forty poems by Surrey, ninety-six poems by Wyatt, forty poems by Grimald, and ninety-five poems written by unknown authors. Tottel made note that of those anonymous poems, the authors were sure to include Thomas Churchyard , Thomas Vaux, Edward Somerset, John Heywood and Sir Francis Bryan .