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Complementary colors are pairs of colors which, when combined or mixed, cancel each other out (lose chroma) by producing a grayscale color like white or black. [1] [better source needed] When placed next to each other, they create the strongest contrast for those two colors. Complementary colors may also be called "opposite colors".
Displayed here is the color coral pink, a pinkish color. [32] The first recorded use of coral pink as a color name in English was in 1892. [31] The complementary color of coral pink is teal. The normalized color coordinates for coral pink are identical to Congo pink, which was first recorded as a color name in English in 1912. [30]
Fully saturated complementary colors maximize color contrast. A split-complementary (also called compound harmony) color scheme comprises three colors, namely a base color and two colors that are 150 degrees and 210 degrees apart from the base color. The split-complementary color scheme has the same sharp visual contrast as the complementary ...
Color theory, or more specifically traditional color theory, is a historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [1] Modern color theory is generally referred to as color science.
In color theory, color harmony refers to the property that certain aesthetically pleasing color combinations have. These combinations create pleasing contrasts and consonances that are said to be harmonious. These combinations can be of complementary colors, split-complementary colors, color triads, or analogous colors.
Magenta is variously defined as a purplish-red, reddish-purple, or a mauvish–crimson color. On color wheels of the RGB and CMY color models, it is located midway between red and blue, opposite green. Complements of magenta are evoked by light having a spectrum dominated by energy with a wavelength of roughly 500–530 nm.
When complementary colors are combined or mixed, they "cancel each other out" and become neutral (white or gray). That is, complementary colors are never perceived as a mixture; there is no "greenish red" or "yellowish blue", despite claims to the contrary. The strongest color contrast a color can have is its complementary color.
[8] Van Gogh used color strategically and forcefully. Color is "not true from a delusive realist, but color suggesting some emotion of an ardent temperament," wrote Van Gogh. [12] He observed nature and mood changes with the seasonal cycle of life, expressed with complementary colors specific to each season: For spring, green and pink.