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Lisa del Giocondo (Italian pronunciation: [ˈliːza del dʒoˈkondo]; née Gherardini [ɡerarˈdiːni]; June 15, 1479 – July 14, 1542) was an Italian noblewoman and member of the Gherardini family of Florence and Tuscany.
Specifically, it is believed by some that Leonardo da Vinci had begun working on a portrait of Lisa del Giocondo, the model of the Mona Lisa, in Florence by October 1503. [38] [39] [40] Although the Louvre states that it was "doubtless painted between 1503 and 1506", [41] Eugène Müntz is known to have reported that by 1501 Fra.
The catalogue raisonné Leonardo da Vinci (2019) confirms that the painting probably depicts Lisa del Giocondo, with Isabella d'Este being the only plausible alternative. [31] Scholars have developed several alternative views , arguing that Lisa del Giocondo was the subject of a different portrait, and identifying at least four other paintings ...
For example, both the Mona Lisa and a child's crayon drawing of Lisa del Giocondo would be considered representational, and any preference for one over the other would need to be understood as a matter of aesthetics.
One of best-known portraits in the Western world is Leonardo da Vinci's painting entitled Mona Lisa, named for Lisa del Giocondo, [40] [41] [42] a member of the Gherardini family of Florence and Tuscany and the wife of wealthy Florentine silk merchant Francesco del Giocondo. The famous "Mona Lisa smile" is an excellent example of applying ...
Lisa Gherardini (Madonna Lisa) did give birth to her second son, Andrea, on December 1, 1502, before the painting was commissioned in 1503.” (Mohen 06). So once again this goes back to Jacqueline Herald as the source for the guarnello as a garment worn in pregnancy and by new mothers (but it does give Herald bona fides as a reputable source).
Leonardo is thought to have used Salaì as the model for several of his works, specifically St. John the Baptist, Bacchus and Angelo Incarnato. [1] [6] Some researchers also believe that Salaì–and not Lisa del Giocondo–was the real model for the Mona Lisa, but this claim is disputed by the Louvre. [6]
Warhol's works Colored Mona Lisa (1963), Four Mona Lisas (1978), and Mona Lisa Four Times (1978) illustrate Warhol's method of silk-screening an image repetitively within the same work of art. [38] In 1974 Salvatore Fiume made Gioconda Africana, a tribute to black female beauty: this "Gioconda" was donated to the Vatican and stays in Vatican ...