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Alan Gordon ("Big Al") Anderson (born July 26, 1947) is an American guitarist, singer, and songwriter. In the 1960s, Anderson was the frontman of Connecticut-based band the Wildweeds , [ 1 ] whose song "No Good To Cry" (written by Anderson) was a regional success in 1967. [ 2 ]
Anderson grew up in Montclair, New Jersey and attended Montclair High School where he learned to play the trombone, eventually picking up guitar and bass guitar. He attended the Berklee College of Music contemporaneously with Pat Metheny and Al Di Meola after working with an early version of the band Aerosmith in the Boston music scene. [1]
Al Anderson is the name of: Alan Al Anderson (NRBQ) (born 1947), American guitarist, singer, member of the rock NRBQ; Albert Al Anderson (The Wailers) (born 1952), of ...
Over the next three years, the band experienced personnel shifts, with the departure of Ferguson (replaced for one year by Ken Sheehan), Gadler, and Staley, and the arrival of two new members: guitarist/singer Al Anderson formerly of The Wildweeds, known for the Connecticut and Massachusetts regional hit "No Good To Cry", [11] and drummer Tom ...
The Original Wailers are a reggae group formed by Al Anderson and Junior Marvin in 2008. Both are best known as guitarists for Bob Marley and the Wailers as well as former members of The Wailers Band. In April 2011, Marvin departed the band.
"All You Ever Do Is Bring Me Down" is a song written by Raul Malo and Al Anderson, and recorded by American country music group The Mavericks featuring accordionist Flaco Jiménez. It was released in January 1996 as the second single from the 1995 album Music for All Occasions.
Albert James Anderson (c. 1914 – January 15, 1994) was a Canadian football administrator who was general manager of the Edmonton Eskimos from 1947 to 1956. He won three Grey Cups with them in 1954, 1955 and 1956.
The soundtrack for the film was composed by Al Anderson and Asa Bennett, who usually collaborate under the name Bůte. The music makes extensive use of sampled sounds (a feature of Bůte‘s music where no traditional instruments or synths are used) but also uses real instruments, notably the use of Baritone guitar and whistling which is ...