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Hebrew poetry is poetry written in the Hebrew language. It encompasses such things as: Biblical poetry, the poetry found in the poetic books of the Hebrew Bible; Piyyut, religious Jewish liturgical poetry in Hebrew or Aramaic; Medieval Hebrew poetry written in Hebrew; Modern Hebrew poetry, poetry written after the revival of the Hebrew language
The employment of unusual forms of language cannot be considered as a sign of ancient Hebrew poetry. In Genesis 9:25–27 and elsewhere the form lamo occurs. But this form, which represents partly lahem and partly lo, has many counterparts in Hebrew grammar, as, for example, kemo instead of ke-; [2] or -emo = "them"; [3] or -emo = "their"; [4] or elemo = "to them" [5] —forms found in ...
Modern Hebrew poetry was promoted by the Haskalah movement. The first Haskalah poet, who heavily influenced the later poets, was Naphtali Hirz Wessely at the end of the 18th century. After him came Shalom HaCohen, [2] Other pioneers of modern Hebrew poetry are Max Letteris, Abraham Dob Bär Lebensohn and his son Micah Joseph, [2] and Judah Leib ...
These, however, are often considered only poems with an epic coloring. Singer claimed that a "pure epic poem according to the rules of art" was not produced during the Middle Ages. According to Singer, "the stern character of Jewish monotheism prevented the rise of hero-worship, without which real epic poetry is impossible". Subsequent research ...
Much medieval Jewish poetry was written in Hebrew, including liturgical piyyutim in Palestine in the seventh and eighth centuries by Yose ben Yose, Yannai, and Eleazar Kalir. [3] These poems were added to the Hebrew-language liturgy. This liturgy was compiled in book form as "the siddur" by rabbis including Amram Gaon and Saadia Gaon.
The earliest piyyuṭim date from late antiquity, the Talmudic (c. 70 – c. 500 CE) [citation needed] and Geonic periods (c. 600 – c. 1040). [1] They were "overwhelmingly from the Land of Israel or its neighbor Syria, because only there was the Hebrew language sufficiently cultivated that it could be managed with stylistic correctness, and only there could it be made to speak so expressively."
Hebrew writers in the Russian empire included: the poet Jacob Eichenbaum; the Haskalah leader Isaac Baer Levinsohn; Kalman Schulman (1826–1900), who introduced the romantic form into Hebrew; the romantic poet Micah Joseph Lebensohn (1828–52); the "father of prose," Lithuanian author M. A. Ginzburg; and "the father of poetry," Lithuanian ...
Medieval Hebrew poets used at least ten types of syllabic-quantitative meter. These have both Hebrew and Arabic names: Hazaj (Arabic: الهَزَج, al-hazaj ; Hebrew הַמִּשְׁקָל הַמַּרְנִין, ha-mishqal ha-marnin )