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The Telegraph states that it is a "comprehensive guide to the most important jazz compositions, is a unique resource, a browser's companion, and an invaluable introduction to the art form", adding that "musicians who play these songs night after night now have a handy guide, outlining their history and significance and telling how they have been performed by different generations of jazz ...
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time.
This is an A–Z list of jazz tunes, which includes jazz standards, pop standards, and film song classics which have been sung or performed in jazz on numerous occasions and are considered part of the jazz repertoire. For a chronological list of jazz standards with author details, see the lists in the box on the right.
The Oxford Companion to Jazz. Oxford University Press US. ISBN 0-19-518359-2. Knapp, Raymond (2005). The American Musical and the Formation of National Identity. Princeton University Press. ISBN 0-691-11864-7. Koenig, Karl (2002). Jazz in Print (1856-1929): An Anthology of Selected Early Readings in Jazz History. Pendragon Press. ISBN 1-57647 ...
Jazz pianist Fats Waller wrote many of the early jazz standards, including "Squeeze Me" (1925), "Ain't Misbehavin'" (1929) and "Honeysuckle Rose" (1929). 1924 – "Everybody Loves My Baby" is a song composed by Spencer Williams with lyrics by Jack Palmer. [42] It was introduced by Clarence Williams and His Blue Five, with Louis Armstrong on ...
Standards from these sessions include Shorter's "Footprints" (1966) and Eddie Harris's "Freedom Jazz Dance" (1966). In Brazil, a new style of music called bossa nova evolved in the late 1950s. Based on Brazilian samba as well as jazz, bossa nova was championed by João Gilberto, Antonio Carlos Jobim and Luiz Bonfá.
Many 1930s standards were popularized by jazz singer Billie Holiday's recordings, including "These Foolish Things", "Embraceable You" and "Yesterdays". " Begin the Beguine " is a show tune from Cole Porter's Broadway musical Jubilee , first recorded by Xavier Cugat and His Waldorf-Astoria Orchestra and popularized by Artie Shaw's recording in 1938.