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The Blueprint was universally acclaimed by music critics, particularly for Jay-Z's performance and the album's soul-based soundscape. It is widely regarded as one of the greatest hip-hop albums of all time as well as one of the greatest albums ever made in general.
Blueprint 2.1 is a reissue by rapper Jay-Z, created from a re-cut version of The Blueprint 2: The Gift & The Curse. [26] It was certified gold by the RIAA. One single was released from the album, "La-La-La". It contains half the tracks of the original.
The Hits Collection, Volume One is a greatest hits album by American rapper Jay-Z.It was released on November 22, 2010, by Def Jam Recordings and Roc Nation.Although greatest hits compilations of Jay-Z have been released internationally before, this was the first of its kind to be released in the United States, in which it was released in a standard edition, deluxe edition, collector's edition ...
Izzo (H.O.V.A.)" is the lead single from American rapper Jay-Z's sixth album The Blueprint. Produced by Kanye West , the song prominently samples " I Want You Back " (1969) by The Jackson 5 . It reached number eight on the US Billboard Hot 100 , becoming Jay-Z’s first solo song to enter the top 10.
"Girls, Girls, Girls" is the second single from rapper Jay-Z's album The Blueprint (2001). The single was released on October 2, 2001. It is a playful description of the artist's promiscuous lifestyle. The song contains a sample of "There's Nothing In This World That Can Stop Me From Loving You" by Tom Brock, who died a year later.
The Blueprint 3 is the eleventh studio album by American rapper Jay-Z, released September 8, 2009, on Roc Nation and Roc-A-Fella, through distribution from Asylum Records and Atlantic Records. It is the third album in the Blueprint series, preceded by The Blueprint (2001) and The Blueprint 2 : The Gift & The Curse (2002).
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Admitting that he is too prideful to publicly display his emotions ("I can't see 'em coming down my eyes"), Jay-Z forces the song to "cry" instead. [3] This allows Jay-Z to mourn the break-up free of any damage to his masculine image as a street hustler. This furthers the notion that emotional vulnerability is a sign of weakness, especially ...