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Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
For the English guitar the open chord is C major (C–E–G–C–E–G); [67] for the Russian guitar which has seven strings, G major (G–B–D–G–B–D–G). [ 68 ] [ 69 ] [ 70 ] Mixing a perfect fourth and a minor third along with a major third, these tunings are on-average major-thirds regular-tunings.
G tuning – G-C-F-A ♯-D-G / G-C-F-B ♭-D-G Four and a half steps down from standard tuning. Used by the doom metal band Warhorse and the brutal death metal band Mortician and the sludge metal project Foreigns.
The open G tuning variant G–G–D–G–B–D was used by Joni Mitchell for "Electricity", "For the Roses" and "Hunter (The Good Samaritan)". [36] Truncating this tuning to G–D–G–B–D for his five-string guitar, Keith Richards uses this overtones-tuning on the Rolling Stones 's " Honky Tonk Women ", " Brown Sugar " and " Start Me Up ".
Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G-major triad (G,B,D). For example, a popular open-G tuning is D–G–D–G–B–D (low to high).
In Baroque music, G major was regarded as the "key of benediction". [1] Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, [2] although Bach also used the key for some 4
The above shows D major in open "C" shape form and A major in open "G" shape form. In the example above, the "C" shape offers an alternative voicing to the open D major and to the "A" shaped D major in fifth position. Variations of the basic major and minor triad chords can also be formed using the barred chord as their foundation.
Major Pachelbel's Canon: I–V–vi–iii–IV–I–IV–V: 5: Major Passamezzo antico: i–VII–i–V–III–VII–i–V–i: 4: Minor Passamezzo moderno: I–IV–I–V–I–IV–I–V–I: 3: Major I–V–vi–IV progression: I–V–vi–IV: 4: Major Ragtime progression: III 7 –VI 7 –II 7 –V 7: 5: Major Rhythm changes: I-iv-ii-V ...