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This melody for the traditional song "Pop Goes the Weasel" is monophonic as long as it is performed without chordal accompaniment. [1]Play ⓘ. In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords.
A diagram of monaural sound. Monaural sound or monophonic sound (often shortened to mono) is sound intended to be heard as if it were emanating from one position. [1] This contrasts with stereophonic sound or stereo, which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of ...
A monophonic synthesizer or monosynth is a synthesizer that produces only one note at a time, making it smaller and cheaper than a polyphonic synthesizer which can play multiple notes at once. This does not necessarily refer to a synthesizer with a single oscillator ; the Minimoog , for example, has three oscillators which are settable in ...
Later innovations included tropes, which is a new text sung to the same melodic phrases in a melismatic chant (repeating an entire Alleluia-melody on a new text for instance, or repeating a full phrase with a new text that comments on the previously sung text) and various forms of organum, (improvised) harmonic embellishment of chant melodies ...
Ambrosian chant – Monophonic liturgical music used in the liturgy of the Ambrosian Rite. Ballade – French poetic-musical form. Ballata – Medieval Italian poetry accompanied by music. Canso – Song of troubadour tradition. Cantiga – Monophonic song of Spanish or Portuguese origin, often about religious themes or courtly love.
Plainsong or plainchant (calque from the French plain-chant; Latin: cantus planus) is a body of chants used in the liturgies of the Western Church.When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. [1]
Several modern theorists have applied the concept of syntactic imitation to describe the lucid relationship between the text and Josquin's musical setting. Each phrase corresponds to a line of text, cleverly exposed through points of imitation. Structural articulations often resolve on cadences, where voices arrive on perfect intervals.
The text declamation of the conductus can be either syllabic/neumatic or melismatic. The syllabic/neumatic type is coined the term musica cum littera. Monophonic pieces are mostly syllabic. The latter is called musica sine littera. The melismatic declamation can be applied to the caudae or the entire piece. The medieval theorist, Franco de ...