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The hat is also known in Ireland as a paddy cap; in Scotland as a bunnet; in Wales as a Dai cap; and in the United States as an English cap or Irish cap. Various other terms exist (scally cap, [ 1 ] cabbie cap, driver cap, golf cap, [ 2 ] longshoreman cap, ivy cap, jeff cap, [ 3 ] train engineer cap, sixpence, etc.) Flat caps are usually made ...
Also known as a Gainsborough hat and garden hat, this is an elaborate women's design with a wide brim. Pilgrim's hat: A pilgrim's hat, cockel hat or traveller's hat is a wide brim hat used to keep off the sun. It is highly associated with pilgrims on the Way of St. James. The upturned brim of the hat is adorned with a scallop shell to denote ...
A conical hennin with black velvet lappets (brim) and a sheer veil, 1485–90. The hennin (French: hennin / ˈ h ɛ n ɪ n /; [1] possibly from Flemish Dutch: henninck meaning cock or rooster) [N 1] was a headdress in the shape of a cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. [2]
Frans Hals' Laughing Cavalier (in the Wallace Collection) wears a slashed doublet, wide reticella lace collar and cuffs, and a broadbrimmed hat, 1624. Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men ...
Cloche hat as worn by silent film star Vilma Bánky, 1927. The cloche hat or simply cloche (pronunciation ⓘ) is a fitted, bell-shaped hat for women that was invented in 1908 by milliner Caroline Reboux. [1] They were especially popular from about 1922 to 1933. [2] Its name is derived from cloche, the French word for "bell". [3]
A Dutch cap or Dutch bonnet is a style of woman's hat associated with the various traditional Dutch woman's costumes. Usually made of white cotton or lace, it is sometimes characterized by triangular flaps or wings that turn up on either side. [1] It can resemble some styles of nurse's hat. [2] Traditional costumes of the Netherlands
Demorest Paper Patterns were also advertised in other women's magazines at the time. [2] By the 20th century, sewing patterns were marketed for home dressmakers as well as professionals, and available in magazines, catalogs, and in shops. The commercial paper pattern industry had begun to be a major influence in the clothing industry. [2]
Fashion activism is the practice of using fashion as a medium for social, political, and environmental change. The term has been used recurringly in the works of designers and scholars Lynda Grose, Kate Fletcher, Mathilda Tham, Kirsi Niinimäki, Anja-Lisa Hirscher, Zoe Romano, and Orsola de Castro, as they refer to systemic social and political change through the means of fashion.