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The Tetons and the Snake River is a black and white photograph taken by Ansel Adams in 1942, at the Grand Teton National Park, in Wyoming. It is one of his best known and most critically acclaimed photographs.
As a member of the Sierra Club in the 1920s, Adams joined the Club's annual month-long High Trips in the Sierra Nevada in addition to making several trips on his own. During these trips he captured large-format black-and-white images of many of the region's well-known features, including King's River Canyon, Muir Gorge, the pinnacles at the headwaters of King's River, Mount Brewer, The Black ...
John Szarkowski states in the introduction to Ansel Adams: Classic Images (1985, p. 5), "The love that Americans poured out for the work and person of Ansel Adams during his old age, and that they have continued to express with undiminished enthusiasm since his death, is an extraordinary phenomenon, perhaps even unparalleled in our country's ...
Clearing Winter Storm, Yosemite Valley (c. 1937) by Ansel Adams. Clearing Winter Storm, Yosemite National Park, California is a black and white photograph taken by Ansel Adams, c. 1937. It is part of a series of natural landscapes photographs that Adams took from Inspiration Point, at Yosemite Valley, since the 1930s.
Moonrise, Hernandez, New Mexico (1941) by Ansel Adams. Moonrise, Hernandez, New Mexico is a black-and-white photograph taken by Ansel Adams, late in the afternoon on November 1, 1941, [1] from a shoulder of highway US 84 / US 285 in the unincorporated community of Hernandez, New Mexico, United States. [2]
Taos Pueblo is a book by Ansel Adams and Mary Hunter Austin. Originally published in 1930, it is the first book of Adams' photographs. A seminal work in his career, it marks the beginning of a transition from his earlier pictorialist style to his signature sharp-focused images of the Western landscape. It has been described as "an astonishingly ...
Lodgepole Pines, Lyell Fork of the Merced River, Yosemite National Park is a black-and-white photograph taken by Ansel Adams in 1921. It is one of the photographs that he took at the beginning of his career, when he was following pictorialism , a style inspired by painting, that he soon would abandon for a more realistic approach to photography.
To create Monolith, Ansel Adams used a very specific and innovative technique to manipulate the photograph to project the image he had in his mind's eye.Adams was aware of the photographic technique photogenia, which is the practice of intentionally manipulating lighting, exposure, and printing to communicate meaning. [3]