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Louis Vuitton: Other versions: SVG: SVG development . The SVG code is . This text-logo was created with Inkscape. Licensing. Public domain Public domain false false:
The Louis Vuitton label was founded by Vuitton in 1854 on Rue Neuve des Capucines in Paris. [21] Louis Vuitton had observed that the HJ Cave Osilite [22] trunk could be easily stacked. In 1858, Vuitton introduced his flat-topped trunks with Trianon canvas, making them lightweight and airtight. [21]
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
Nicolas Ghesquière (French pronunciation: [nikɔla ʒɛskjɛʁ]; born 9 May 1971) is a French-Belgian fashion designer who has been the women's creative director of the house of Louis Vuitton (owned by LVMH) since 2013. [1] [2]
Louis XVI style, also called Louis Seize, is a style of architecture, furniture, decoration and art which developed in France during the 19-year reign of Louis XVI (1774–1792), just before the French Revolution. It saw the final phase of the Baroque style as well as the birth of French Neoclassicism. The style was a reaction against the ...
Virgil Abloh (/ ˈ æ b l oʊ /; September 30, 1980 – November 28, 2021) was a Ghanaian-American fashion designer and entrepreneur. A trained architect, Abloh founded his own line of luxury streetwear clothing under the moniker Pyrex Vision in 2012, which he transformed into the Milan based fashion label Off-White in 2013.
Louis Henry Sullivan (September 3, 1856 – April 14, 1924) [1] was an American architect, and has been called a "father of skyscrapers" [2] and "father of modernism". [3] He was an influential architect of the Chicago School, a mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects who have come to be known as the Prairie School.
The modern aesthetics of high technology is to a large degree defined by the machine aesthetic. Just like machine aesthetic, the high-tech architecture proclaims that the form follows function, yet frequently completely detaches the form from function and resorts instead to the imitation of appearance of a factory or a restaurant kitchen. [23]