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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
The Last Supper of Jesus and the Twelve Apostles has been a popular subject in Christian art, [1] often as part of a cycle showing the Life of Christ. Depictions of the Last Supper in Christian art date back to early Christianity and can be seen in the Catacombs of Rome. [2] [3] The Last Supper was depicted both in the Eastern and Western ...
The Last Supper has been a popular subject in Christian art. [1] Such depictions date back to early Christianity and can be seen in the Catacombs of Rome. Byzantine artists frequently focused on the Apostles receiving Communion, rather than the reclining figures having a meal. By the Renaissance, the Last Supper was a favorite topic in Italian ...
Leonardo da Vinci's the "Last Supper" is visited by over 460,000 tourists each year, making it one of the top 10 most visited attractions in all of Italy. Here's why.
The highly detailed marble walls hearken back to Roman "First Style" wall paintings, and the pillars and griffon statues recall Classical sculpture and trompe-l'œil painting. The halos are depicted in perspective. The Last Supper was a major work by Andrea del Castagno and his studio. The quality of figures and details is uneven; the right ...
The Last Supper. Painting by Philippe de Champaigne (1602-1674) in the Louvre Museum, Paris. ... Tuesday the 13th is the day to fear, specifically due to its connection to Mars, the Roman God of ...
The painting is Wadworth's re-creation of the scene made famous by the 15th century mural of the Last Supper created by Leonardo da Vinci at a convent in Milan, Italy.
The painting was also exposed to the steam and smoke from the convent's kitchen and from candles used in the refectory itself. [12] By 1582, it was recorded that The Last Supper was "in a state of total ruin." [12] Around 1652, a door was cut into the refectory wall, destroying the area in which Jesus's feet were depicted. [13]