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Someone Has to Die (Spanish: Alguien tiene que morir) [2] is a Spanish-Mexican thriller television limited series created by Manolo Caro, creator of the Netflix series The House of Flowers. [3] The series takes place in 1950s Spain and consists of three episodes revolving around a conservative and traditional society during the Franco regime ...
Cinema of Spain; pre-1930; 1930s; 1940s; 1950s; 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959: 1960s; 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969: 1970s ...
This is a list of Spanish television series and miniseries. This list is about series of fiction, so it does not include documentaries. This list also does not include television films nor theatrical representations or zarzuelas made for television. The spoken language (in original presentation) is in Spanish unless otherwise noted.
Martin Scorsese's Film Foundation claimed in 2017 that "half of all American films made before 1950 and over 90% of films made before 1929 are lost forever". [4] Deutsche Kinemathek estimates that 80–90% of silent films are gone; [5] the film archive's own list contains over 3,500 lost films.
Maigret (2016 TV series) The Making of the Mob: Chicago; Die Manns – Ein Jahrhundertroman; The Marvelous Mrs. Maisel; M*A*S*H (TV series) Masters of Sex; Miss Marple (TV series) Mue Nuer Mek; My Brilliant Friend (TV series)
Spain portal; 1970s portal; Television series which originated in Spain in the decade 1970s. i.e. in the years 1970 to 1979. Television shows that originated in other countries and only later aired in Spain should be removed from this category and its sub-categories
A list of the most notable films produced in the Cinema of Spain, ordered by decade and year of release on separate pages. For an alphabetical list of articles on Spanish films, see Category:Spanish films .
Sara Montiel captivated audiences worldwide during the 1950s and 1960s. The Civil War devastated the silent film era: only ten per cent of all silent films made before 1936 survived the war. Films were also destroyed for their celluloid content and made into goods. [5] Around 1936, both sides of the Civil War began to use cinema as a means of ...