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As a process, ear training is in essence the inverse of reading music, which is the ability to decipher a musical piece by reading musical notation. Ear training is typically a component of formal musical training and is a fundamental, essential skill required in music schools and the mastery of music.
The Standard Course of Lessons on the Tonic Sol-fa Method of Teaching to Sing was published in 1858. In 1872, Curwen changed his former course of using the Sol-fa system as an aid to sight reading, when that edition of his Standard Course of Lessons excluded the staff and relied solely on Tonic Sol-fa. In 1879 the Tonic Sol-Fa College was opened.
The ability to sight-read partly depends on a strong short-term musical memory. [5] An experiment on sight reading using an eye tracker indicates that highly skilled musicians tend to look ahead further in the music, storing and processing the notes until they are played; this is referred to as the eye–hand span.
Williams has expressed his frustration and concern with guitar education and teaching, [9] that it is too one-sided, i.e., focusing only on solo playing, instead of giving guitar students a better education, including ensemble playing, sight-reading and a focus on phrasing and tone production and variation. Williams notes that "students [are ...
William "Bill" G. Leavitt (October 4, 1926 – November 4, 1990) was an American jazz guitarist and arranger best known for his long series of guitar instruction books and for developing a related curriculum at Berklee College of Music as chair of the guitar department.
Accompanists often play keyboard instruments (e.g., piano, pipe organ, synthesizer) or, in folk music and traditional styles, a guitar. While sight-reading (the ability to play a notated piece of music without preparing it) is important for many types of musicians, it is essential for professional accompanists. In auditions for musical theater ...