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The Tale of Orpheus and Erudices his Quene is a poem by the Scottish Northern Renaissance poet Robert Henryson that adapts and develops the Greek myth which most famously appears in two classic Latin texts, the Metamorphoses of Ovid and the Georgics of Virgil. Jacopo del Sellaio, Orpheus and Eurydice, c.1480
In ancient Greek religion, The Gaze of Orpheus is derived from the antiquarian Greek myth of Orpheus and Eurydice.In the story of Orpheus, the poet descends to the underworld to retrieve his wife, Eurydice from premature death, only on Hades’ and Persephone's condition that he does not look at her during the process.
Eurydice, an Elean princess as the daughter of King Pelops of Pisa. She was the wife of Electryon, and grandmother of Heracles. [10] Eurydice, wife of Orpheus who attempted to bring her back from the Underworld. [11] Eurydice, wife of King Creon of Thebes and mother of Haemon, Menoeceus and Megara. [12] Eurydice, eldest daughter of Clymenus and ...
Farewell to Orpheus, created by former Portland State University (PSU) art professor Frederic Littman in 1968, [1] [2] is located at Southwest Montgomery Street in the South Park Blocks. [3] [4] It depicts Eurydice and was installed in 1972–1973 as part of the South Park Blocks Urban Renewal Development Project.
Orpheus, the son of Apollo and a renowned musician, fell in love with Eurydice, who was bitten by a snake and died. On the gods' advice, Orpheus traveled to the Underworld wherein his music softened the hearts of Hades and Persephone, who agreed to allow Eurydice to return with him to the living world on one condition: he should guide her out ...
See how the glade is wholly buried in his throat! None of the Danaan could have made a deeper thurst.' That is how Eurydice keeps complaining and complaining. [4] Eventually, she was led away by friendly hands to the palace. The lamentation, however, was getting worse, so her companions and servants were forced to lock Eurydice into her room.
Proteus describes the descent of Orpheus into the underworld to retrieve Eurydice, the backward look that caused her return to Tartarus, and at last Orpheus' death at the hands of the Ciconian women. Book four concludes with an eight-line sphragis or seal in which Virgil contrasts his life of poetry with that of Octavian the general.
The scene is Orpheus and Eurydice's home in Thrace. There is a mirror on the left wall and at stage rear a white horse, protruding from a niche. As the play begins Orpheus is trying to interpret a message that the horse is tapping out with his hoof. Eurydice expresses her jealousy for the supernatural nag who takes so much of her husband's time.