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On November 15, 2004, Now That's What I Call Christmas! was certified 6× Platinum by the Recording Industry Association of America for shipment of six million units in the United States. [ 3 ] Based on sales figures provided by Nielsen SoundScan , the album was also the best-selling Christmas/holiday album in the U.S. for both 2001 and 2002 ...
The U.S Army Band performs a Christmas concert in 2010.. Christmas music comprises a variety of genres of music regularly performed or heard around the Christmas season.Music associated with Christmas may be purely instrumental, or in the case of carols, may employ lyrics about the nativity of Jesus Christ, traditions such as gift-giving and merrymaking, cultural figures such as Santa Claus ...
Now That's What I Call Christmas! 2: The Signature Collection also known as Now That's What I Call Christmas! 2 is an album released on September 30, 2003, as part of the Now That's What I Call Music series in the United States. It has sold over a million copies in the US.
Now That's What I Call Music - The Christmas Album is a compilation album released in 1985. The album is part of the Now! series in the United Kingdom, and collects popular Christmas songs of the last few decades. It reached number one on the UK Albums Chart for two weeks, in between two runs of Now That's What I Call Music 6. The album has ...
"Jesus Loves Me" is a Christian hymn written by Anna Bartlett Warner (1827–1915). [1] The lyrics first appeared as a poem in the context of an 1860 novel called Say and Seal , written by her older sister Susan Warner (1819–1885), in which the words were spoken as a comforting poem to a dying child. [ 2 ]
"Mary, Did You Know?" is a Christmas song addressing Mary, mother of Jesus, with lyrics written by Mark Lowry in 1985, and music written by Buddy Greene in 1991. It was originally recorded by Christian recording artist Michael English on his self-titled debut solo album in 1991.
According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, the song is set in the time signature of common time. It is composed in the key of G Major with Roger Daltrey's vocal range spanning from G 3 to A 4. [4] The song makes repeated use of suspended fourth chords that resolve to triads.
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