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For his early films, although they were consistently well photographed, Kurosawa generally used standard lenses and deep-focus photography. Beginning with Seven Samurai (1954), however, Kurosawa's cinematic technique changed drastically with his extensive use of long lens and multiple cameras.
Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus in an image, or how much of it appears sharp and clear. In deep focus, the foreground, middle ground, and background are all in focus. Deep focus is normally achieved by choosing a small aperture.
Especially in narrative filmmaking, cross-cutting is traditionally used to build suspense or to suggest a thematic relationship between two sets of actions. Continuity editing An editorial style that preserves the illusion of undisrupted time and space across editorial transitions (especially cuts). Deep focus
The following outline is provided as an overview of and topical guide to film: . Film refers to motion pictures as individual projects and to the field in general. The name came from the fact that photographic film (also called filmstock) has historically been the primary medium for recording and displaying motion pictures.
The experimental film Roundhay Garden Scene, filmed by Louis Le Prince in Roundhay, Leeds, England, on October 14, 1888, is the earliest surviving motion picture. [7] This movie was shot on paper film. [8] An experimental film camera was developed by British inventor William Friese Greene and patented in 1889. [9] W. K. L.
In addition to its unique depth of field properties, the Frazier lens is significantly smaller than previous deep focus lenses allowing more versatility and flexibility to cinematographers. The main feature of the lens, an extended tube with a rotating prism , allows cinematographers to place the camera in a variety of positions for a given shot.
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Gregg Wesley Toland (May 29, 1904 – September 28, 1948) was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' Citizen Kane (1941), William Wyler's The Best Years of Our Lives (1946), and John Ford's The Grapes of Wrath, and The Long Voyage Home (both, 1940).